DR. JOHN/ PROFESSOR LONGHAIR/ EARL KING/ METERS: SWAMP 1974 Chicago

Walk Right In/ Shake Rattle & Roll/ Tripatina/ Whole Lotta Lovin'/ Everyday I Have The Blues/ Mama & Papa/ Those Lonely, Lonely Nights/ Looka Py Py/ Jungle Man/ Call A Doctor/ Qualified/ Quitters Never Win/ Such A Nite/ Right Place/ Big Chief

DR.JOHN/ PROFESSOR LONGHAIR/ EARL KING/ METERS  NEW ORLEANS SWAMP; 
live in Chicago by WTTW, 1974.10.30

"THE TEXAS TORNADOS " en vivo en Austin Tx 1990

Doug Sahm, Freddy Fender, Augie Meyers, Flaco Jimenez, Louie Ortega, Speedy Sparks, Ernie Durawa, Oscar Tellez, and Derek O"Brien 
THE TEXAS TORNADOS !!!

Ry Cooder Live at the Catalyst in Santa Cruz 1987

Ry Cooder & The Moula Banda Rhythm Aces 

Live At The Catalyst, Santa Cruz, CA March 25. 1987

Personnel:
Jim Keltner - drums
Ry Cooder - guitar, vocals
Van Dyke Parks - keys
Jorge Calderon - bass
Flaco Jimenez - accordion
Miguel Cruiz - percussion
Steve Douglas - sax
George Bohannon - trombone
Bobby King - tenor
Terry Evans - baritone
Arnold McCuller - tenor
Willie Green Jr - bass

Track Listing:
1. Let's Have a Ball
2. Jesus on the Mainline
3. How Can a Poor Man Stand Such Times and Live?
4. Down In Mississippi
5. Maria Elena
6. Just a Little Bit
7. The Things That Make You Rich Make Me Poor
8. Crazy Bout an Automobile (Every Woman I Know)
9. Chain Gang
10. Good Night Irene

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Graham Bond Organization - Live at Klooks Kleek (1964)

01- Wade in the water
02- Big boss man
03- Early in the morning
04- Person to person blues
05- Spainish blues
06- Introduction by Dick Jordan
07- The first time i mer the blues
08- Stormy monday
09- Train time
10- What'd i say
----------------------------------------­---------
RECORDED: Live at Klook's Kleek Club, London in October 1964
PERSONNEL: Graham Bond (organ, alto-sax, vocal) Jack Bruce (bass guitar, harmonica, vocal) Dick Heckstall-Smith (tenor sax) Ginger Baker (drums)
INFO: What was it like to be sitting in a club in London during the 1960s with one of the top 
R&B bands of the time playing on the stage in front of you? 
This is probably about the nearest you can get with the Graham Bond Organisation 
rocking Klooks Kleek. Former members of Alexis Korner's Blues Incorporated, 
the Graham Bond Organisation contained Jack Bruce and Ginger Baker who later made 
up two-thirds of Cream. At the time, London was full of blues bands, many of which, 
like the Graham Bond Organisation, 
had developed from roots in the jazz clubs of the capital. 

The album was recorded towards the end of 1964 in-between the release of the band's 
two albums. Jack Bruce had left by the time the second album was available so 
presumably it was not long after this gig. 

The album opens with the powerful Wade in the Water. 
This is a taste of what is to come later in the gig. Released as the b-side 
to the second single Tammy, the instrumental Wade in the Water is far more 
representative of the band. The track acts as a good introduction, 
showcasing the different instruments. Listen out for the amazing bass guitar solo 
in Big Boss Man. This sounds like a guitar solo but bear in mind that 
Jack Bruce is playing bass. 

Early in the Morning is introduced as a Ginger Baker song but, 
like Wade in the Water it is a traditional song that has been arranged by the group 
and again it is an instrumental. Person to Person Blues features Graham Bond on vocals. 

The instrumentals continue with Spanish Blues. 
Presumably this has a Moorish influence as the track sounds more Middle Eastern 
than Spanish!

Train Time will be familiar to Cream fans. This is noted as a group composition 
although Cream's BBC Sessions credits it to Jack Bruce. 
The track features a superb harmonica performance by Bruce. 
The final track is the Ray Charles standard What'd I Say.

Little Feat - 1976 Winterland Arena, SF

Little Feat
Winterland Arena
San Francisco, California
February 14, 1976

Soundboard Recording

"This is a very good recording, you can hear every detail, no hiss no dropouts, in one word perfect. It came from a trade with a guy who claims that he worked for KSAN Radio."

Little Feat and Street Corner Symphony opened for ELO Show was broadcast live on radio station KSAN. The bootleg known as "Rampant Syncopatio" is from this show. Also known as "Live In San Francisco, 1976." Parts of this performance were immediately bootlegged to vinyl and rapidly began circulating under various titles, the most common being "Rampant Syncopatio" and "Chinese Bejeezus," titles rumored to have been supplied by Lowell George himself."

00:00 Introduction (1:08)
01:08 A Apolitical Blues (3:28)
04:36 Skin it Back (5:25)
10:01 Fat Man in the Bathtub (5:33)
15:34 One Love Stand - (4:15)
19:49 Rock and Roll Doctor (5:14)
25:03 On Your Way Down (7:22)
32:25 All that you Dream (5:05)
37:30 Cold Cold Cold - (6:02)
43:32 Dixie Chicken - (8:22)
51:54 Tripe Face Boogie (7:39)
Encore
0:59:33 Willin' - band introduction - Willin' (5:07)
1:04:40 Teenage Nervous Breakdown (4:18)

Lowell George - guitar, vocals
Paul Barrére - guitar, vocals
Bill Payne - keyboards, vocals
Kenny Gradney - bass, vocals
Richie Hayward - drums, vocals
Sam Clayton - percussion, vocals

Peter Green's Fleetwood Mac - The Early Years,

This documentary charts the course of the early years of Fleetwood Mac between 1967 and 1970.

Despite Greeny's objection to it, the early Fleetwood Mac was initially known as:

'Peter Green's Fleetwood Mac'

The early members of Fleetwood Mac were:

Peter Green, Guitar, Vocals;
Mick Fleetwood, Drums;
John McVie, Bass Guitar;
Jeremy Spencer, Guitar, Slide Guitar, Vocals;
Danny Kirwan, Guitar, Vocals.

For those viewers who know, appreciate and revere the early Fleetwood Mac as much as I do, you will be entirely familiar with the contents of this documentary. Enjoy!

However, whilst many viewers will appreciate the enormous talent and mainstream success (1975-87) of the later Fleetwood Mac (Mick Fleetwood, John and Christine McVie, Lindsey Buckingham and Stevie Nicks), typically they will have little or no appreciation of the band's formation and early years (1967-70).

And so it is; a documentary of the early years of Fleetwood Mac, whose devotion to the blues music of America was so deeply felt and appreciated from the period between 1967 and 1970.

But their work didn't stop there. Songs like 'Oh Well', 'Man Of The World' and the very dark 'The Green Manalishi (With The Two-Prong Crown)' set new standards that would inspire others in the British Blues Rock genre and beyond.

Peter Green as a blues guitarist is unique. Whilst EC was delivering the most blistering rendition of Robert Johnson's 'Crossroads' with Cream, Greeny seemed to enjoy a more fugal and restrained style that was altogether as equally enjoyable and fresh.

A small British blues band, Black Cat Bones, supported Fleetwood Mac on several occasions, and it is no surprise to those familiar with their young guitarist, Paul Kossoff, that Peter Green would form an integral part in that young guitarist's development. Within a year, Koss would go on to shine so brightly in the band Free and later with his own band, Back Street Crawler.

I post this after an exhaustive search conducted over the past three years to try and secure additional copies of this material for my library. But, to no avail. I therefore hope that this body of work can be enjoyed by others, for whom the likelihood of ever viewing the content is now all but near impossible.

No copyright infringement is intended. Given that it appears commercially unavailable, I hope that it might find a home here for purely educational purposes. I've met many of the great guitarists since the 1960s, but I cannot think of one that wouldn't tip their hat in recognition of the great contribution Peter Green and Fleetwood Mac gave back when... "Those were the days!"

Nigel Baird, April 2013

Hot Tuna - 1988 The Fillmore, SF

Hot Tuna
1988-03-04
The Fillmore, San Francisco, CA
Soundboard

00:00 Keep Your Lamps Trimmed And Burning 5:15
05:15 Candy Man 5:20
10:35 I See The Light 7:34
18:09 Martha 3:44
21:53 Embryonic Journey 3:11
25:04 Ice Age 7:34
32:38 Carlos Fonseca 3:11
35:49 San Francisco Bay Blues 2:53
38:42 Genesis 4:35
43:17 Parchman Farm 7:24
50:41 Good Shepherd 6:31
57:12 Let Us Get Together Right Down Here 3:53

1:01:05 John's Other 6:42
1:07:47 Vampire Women 3:26
1:11:13 Have You Seen The Stars Tonight 5:08
1:16:21 Mann's Fate 5:37
1:21:58 Put It In My Hands 6:17
1:28:15 I'm Movin' 6:37
1:34:52 Killing Time In The Crystal City 7:41
1:42:33 Water Song 3:45
1:46:18 Crowd Noise 2:36
1:48:54 America 3:31
1:52:25 Volunteers 2:32


Jorma Kaukonen - guitar, vocals - bass 
Paul Kantner - guitar, vocals 
Guests:
Papa John Creach - violin
Will Scarlett - harmonica
Grace Slick - vocals

This is Hot Tuna live at The Fillmore, San Francisco, CA, USA, on the 4th March 1988. Hot Tuna are an American blues-rock band formed originally by bassist Jack Casady and guitarist Jorma Kaukonen as a spin-off of Jefferson Airplane. They are renowned for playing acoustic and electric versions of original and traditional blues songs.

There is a strong likelihood that this concert that bought Paul Kantner and Grace Slick back on the stage together helped the Jefferson Airplane reunion tour and record in 1989 to come about.

Regarding this period in both bands history wikipedia states - Hot Tuna was reformed again as an acoustic band in 1986 performing classic material, with Joey Balin joining on rhythm guitar until 1987. Kantner joined the band in 1987 and 1988 adding some old
Airplane songs to the set list. Grace Slick showed up on stage as well for one show at The Fillmore in March, 1988. The band continued into 1989 and Jorma and Jack joined the 1989 Jefferson Airplane reunion album and tour, performing acoustic Hot Tuna sets
in the middle of each show.

This is the second set that evening from the band and the acoustic musicianship is superb (as commented on by Grace Slick). The late (and incredible) Papa John Creach is also a joy to listen to on violin during the latter parts of the gig.

La storia dei Pink Floyd • 1965-2005

Sebbene agli inizi siano stati influenzati prevalentemente dal rock psichedelico e dallo space rock, il genere che meglio rappresenta la maggior parte dell'opera dei Pink Floyd, caratterizzata da testi filosofici, esperimenti sonori, grafiche innovative e spettacolari concerti, è il rock progressivo.
.
Nel 2008 si è stimato che abbiano venduto circa 250 milioni di dischi in tutto il mondo, di cui 74,5 milioni nei soli Stati Uniti d'America.
.
I Pink Floyd hanno influenzato considerevolmente la musica successiva, dai gruppi progressive degli anni settanta, come Genesis e Yes, fino a musicisti contemporanei, come Nine Inch Nails, Dream Theater e Porcupine Tree.
.
Il gruppo, nato a Londra nel 1965, viene fondato dal cantante e chitarrista Roger Keith "Syd" Barrett, dal bassista George Roger Waters, dal batterista Nicholas Berkeley "Nick" Mason e dal tastierista Richard William "Rick" Wright. Nel 1968 si aggiunge al gruppo il chitarrista David Jon "Dave" Gilmour, che sostituisce Barrett, costretto da problemi psichiatrici esacerbati dall'uso di droghe pesanti ad abbandonare il gruppo.
.
La band, dopo essersi fatta notare grazie a lavori di stampo psichedelico, raggiunge la maturità con Atom Heart Mother e Meddle, e si afferma a livello mondiale con The Dark Side of the Moon e i successivi album, tra cui Wish You Were Here, Animals e The Wall, che consegnano i quattro alla storia del rock. La formazione non subisce sostanziali cambiamenti fino al 1985, escludendo una parentesi di alcuni anni in cui Wright figura solo come turnista. Nel 1985 Waters abbandona il gruppo e i membri rimanenti pubblicano successivamente altri due album di studio: A Momentary Lapse of Reason e The Division Bell. La formazione cessa la propria attività nel 1995, sciogliendosi definitivamente nel 2006, quando Gilmour nega ufficialmente la possibilità di una riunione. Nel 2008, con la morte di Wright, si spengono di fatto le speranze dei fan di rivedere la band dal vivo con tutti e quattro i componenti.
.

Pink Floyd - Live - Palazzetto Dello Sport (Palaeur), Eur , Roma . June 20 ,1971

Pink Floyd 
Palazzetto Dello Sport, ( Palaeur ) , Eur . Roma . 
June 20 ,1971 

01 Atom Heart Mother
02 Careful With That Axe, Eugene 
03 Fat Old Sun
04 The Embryo 
05 Echoes
06 Set The Controls For The Heart Of The Sun
07 Cymbaline 
08 A Saucerful Of Secrets
09 Astronomy Domine 

David Gilmour - lead guitar, vocals
Roger Waters - bass guitar, vocals
Richard Wright - keyboards , vocals
Nick Mason - drums

Los Lobos Encore at Sweetwater Music Hall

February 17th, 2013
Sweetwater Music Hall
Mill Valley, CA

"Down by the River" → For What It's Worth → Don't Worry Baby

"Down by the River" is a song composed by Neil Young. It was first released on his 1969 album with Crazy Horse, "Everybody Knows This Is Nowhere."

"For What It's Worth" is a song written by Stephen Stills. It was performed by Buffalo Springfield, recorded on December 5, 1966, and released as a single in January 1967; It was later added to the re-release of their first album, Buffalo Springfield. The single peaked at number 7 on the Billboard Hot 100 chart. This song is currently ranked #63 on Rolling Stone's list of The 500 Greatest Songs of All Time.

"Don't Worry Baby" was written by Louie Pérez, Cesar Rosas and T-Bone Burnett, and recorded by Los Lobos in 1984 and released on their album "How Will the Wolf Survive?"

Los Lobos
Steve Berlin -- keyboards, horns
Enrique "Bugs" Gonzalez - Drums/Percussion 
David Hidalgo -- vocals, guitar
Conrad Lozano -- vocals, bass
Louie Pérez -- vocals, guitar
Cesar Rosas -- vocals, guitar

Los Lobos (w Jerry Garcia, Carlos Santana) 1986-11-21 San Rafael, CA

Los Lobos 2004-10-07 Tokyo

Set:
Done gone blue.
Is this all there is?
Maricela.
Are you experienced?
Dear Mr. Fantasy
Ay te dejo en San Antonio.
Soy Mexico Americano.
Baby what you want me to do.
Cumbia raza.
-----

found photo

https://www.flickr.com/photos/philosophyinc/sets/72157644391913736/


http://petapixel.com/2014/04/30/400-photos-1938-italy-including-one-hitler-found-film-purchased-thrift-shop/